I perform my little heart out on the Santa Monica Pier with my new microphone and amp. On the walk home, I picture the project of turning this adorable character into a bona fide crowd-gathering show. But my heart isn’t in it.
That week, I plan to attend an anti-ICE protest organized by my Indivisible West Los Angeles group. I contact one of the leaders, “Would you like for me to bring my new amp?!” (She did.)
That Saturday, I attend another protest. I bring the amp again, sure, but I also know the next logical step.
When I first learned of the Portland Frog Brigade last year I was put off. I thought that wearing a costume to a resistance event trivialized the issues. I didn’t realize that there is a long history in resistance movements of “tactical frivolity.”
So I adapt.
The city block is filled with neighbors holding signs and making their voices heard. A few people play drums to keep folk’s spirits up.
I wear leggings and a t-shirt knowing that I’ll be changing right on the sidewalk. First, I shrug off my backpack and then I kick off my sneakers. I zip up the onesie, cover my hair with the hood, and take a walk up and down the boulevard.
It doesn’t take long to figure out that my fellow protesters love the unicorn. I am greeted by smiling faces. People open conversations with me. I feel like a neighborhood celebrity.

I learn how much context matters: On the pier, the unicorn is most-of-the-time awkward. At a protest, the character is embraced as a public mascot.
And that’s why, for now, the unicorn is retired at the pier. (But available for protests and parties! 😉 )

Jean, I really enjoyed your sharing your understanding that context transforms artistic expression from something blah to something very meaningful and fulfilling.
Arthur! So nice to hear from you. Thanks for reading and understanding.